May 21 – September 6
Sculpture Garden, Leonard Wübbena, Wittmund, Germany

The 2020 summer exhibition refers to the title of Barnett Newman’s Who`s afraid of Red, Yellow and Blue. This statement challenges the relationship between sculptures and paintings. Newman assumes that a sculpture is three-dimensional, expansive and creative and has little to do with color. Painting is two-dimensional and actually unthinkable without color. Is a sculptor afraid of color? The material-related surface of a sculpture emphasizes its spatiality. Does color disturb the shape? The exhibition is intended to illustrate the field of tension between pure and colored sculptures by way of interesting examples.

I participate with one new sculpture.

May 19 – medio September

Spatial work in the Monastery Garden of the Elburg Museum during the whole season, in the frame of the Vestingval Elburg in May 2020.

Website Vestingval Elburg

January 12 – March 8

De Ploegh | Amersfoort

 

Flyer Graphic Exhibition 2020

 

 

Silence in time of turmoil
My explanation and interpretation of art refers, among other things, to how to connect new expressions with existing images. This not only indicates the advancing development of art, but also my antagonistic experience of the arts. Assimilation of modern, sober forms with romantic expressions of art could result in an interesting synergy: a new pattern that scours, though nevertheless could be well-balanced. The result is, so to speak a new layer of which the total is more than the sum of the individual components. That I am trying in my spatial work, but also in this etching: capturing the silence in our time of turmoil.

2019 November 24 – 2020 January 5

For the second time De Ploegh has organised a Wintersalon with work from 31 artists. Just like the salons of old in Paris the gallery will be filled from plinth to ceiling with pieces of art.

Flyer wintersalon 2019

October 2019 – October 2020

My two sculptures are located at Logement & Gasterij Frederiksoord. This location is part of the KunstRondje of 49 km in the area of ​​the Free Colonies of Benevolence, a unique area of Dutch history located in Drenthe, Friesland and Overijssel provinces.

Iron Man (1996)
This work work shows a person, a man, staring into the distance. As a person of iron, he stands still with his eyes on the horizon. The art is anything but ice cold, but requires a sharp and steadfast look at reality. That view indicates how wide and limitless art is.

Internal conflict of an artist (2019)
This artwork was originally created in honour of the 200-year birthday of the North German writer of realistic novels Theodor Fontane. It brings together in abstract form his sympathy for human freedom and freedom of expression on the one hand, and conventions and moral leadership on the other. The shape of the work is vaguely reminiscent of a person who raises the glass of freedom in one hand, while the other hand embraces a sword-shaped object that symbolises coercion. The colours are tailored to these symbols: red for a warm, possibly revolutionary gesture, light blue for a neutral consideration, and dark blue for cool repression.

Gallery Beeldschoon

September 25 | 2019 – March 8 | 2020

In 2019 the Mondriaanhuis (House of Piet Mondriaan) in Amersfoort exists 25 years. In honour of this, the museum is organising an exhibition by members of the National Artists’ Society De Ploegh in Amersfoort with 2D work of 25 x 25 cm and 25 x 25 x 25 cm for work in 3D.

 

I am participating with a small sculpture: Mondriaan’s Trees. Normally I make spatial work from metal, but the required small size (25x25x25 cm) does not allow that. I have chosen for the material I use for models: cardboard, reinforced with polyester. The work is autonomous and suitable for indoor use. But it can also serve as a model for a possibly larger sculpture from metal for outside.

Mondriaanhuis

June – October 2019
Sculpture Garden Funnix, Leonard Wübbena, Wittmund, Germany

This year the 200th birthday of the German author Theodore Fontane is being celebrated (1819, Neuruppin – 1898, Berlin). For that occasion I have created a sculpture: Fontane, Liberal and Nationalist.

Introduction
The German writer Theodor Fontane wrote realistic and naturalistic novels. He did not only want to portray people’s everyday life, as in realism, but also and specially to show which underlying forces had influenced his characters. His stories are mostly situated in his birthplace Prussia, the present federal state of Brandenburg. He is known for constantly having been troubled with his conscience by the contrast between on the one hand his interest in democratic reforms as he had seen in England and his sympathy for liberalism, and on the other hand his longing for stability and bourgeois morality. His fluctuating sympathies for liberalism and conservatism testify to this, and are reflected in his novels set in petty bourgeois society. In his most famous work, Effi Briest, he exposed the parochial pettiness of such environments. The book’s main character, Effi, the free-thinking protagonist, perishes due to the rigid narrow-mindedness of the society she lived in, and is said to be a strong autobiographical representation of Fontane himself.

Explaining the work of art
My work of art in honour of the 200-year anniversary of Fontane is an abstract image of the dichotomy between, on the one hand, Fontane’s sympathy for liberalism and freedom of expression and on the other hand, his tendency to conservatism and moral leadership.The form of the sculpture is vaguely reminiscent of a person who is holding a glass in one hand, bringing a toast on freedom and democracy, while the other hand is holding a sword-shaped object that symbolizes oppression and coercion. The colours reflect these symbols: red for a warm, possibly revolutionary gesture, light blue as a neutral, sober consideration, and dark blue for cool and sobering repression.

Sculpture Garden Funnix, Wittmund, Germany

2019 May

Handy Stool with Ditto Lamp is placed for undetermined time in Holiday Resort Klepperstee, Ouddorp, Zuid Holland Province